2 de setembro | PARADIGMA | Festival Arqueologias del Futuro | Buenos Aires, Argentina
“Um ritual é uma sequência de atividades que envolvem
gestos, palavras e objetos, praticado num lugar isolado e de acordo com uma
sequência definida.”
[Dicionário Merriam-Webster]
Em “Paradigma”, criamos um folklore DIY para corpos com
identidades esbatidas, através de artefactos, narrativas, danças, rituais e
músicas. Paradigma é uma dança de um exotismo de lado nenhum. Um reclamar
ritualista de diferença e cidadania. Uma paisagem criada de um cadavre
esquis de referências paradoxais vindas de
lugares faccionais. Uma cerimónia vinda de um tempo antes da divisão
entre arquiteto e construtor onde se produzem símbolos abstratos com materiais
complexos e uma engenharia caseira.
Música Original de Hanna
Kangassalo (SE/FI), Robert Tenevall (SE), Erik
Sjölin (SE)
com vozes adicionais de Lillemor Tenevall, Kai
Kangassalo, Gonçalo Ferreira, Britta Amft, Dinis Machado
Cenário, luz e figurinos Dinis Machado (SE/PT)
Consultoria Pedro Machado (BR/UK), Gonçalo
Ferreira (PT), Jorge Gonçalves (DE/PT)
Produzido por Corp. (PT) e Ballet Contemporâneo do
Norte (PT),
com o Produtor Associado Clair Hicks (UK)
e administração de Interim Kultur (SE)
Co-Produção Weld (Stockholm/SE), Teatro
Municipal do Porto (Porto/PT), Dance4 (Nottingham / UK)
and Gothenburg Dans & Teater Festival (Gothenburg/SE)
Criado em residência em Weld (Stockholm/SE), MARC (Kivik/SE), Campo
Alegre Teatro
Municipal (Porto/PT), Alkantara (Lisboa/PT), Gothenburg
Dans & Teater Festival + Vitlycke Centre for Performing
Art (Gothenburg/SE), Devir/Capa (Faro/PT), Dance4 + Lace
Market Gallery (Nottingham/UK)
Com o apoio de Konstnärsnämnden (SE), Kulturrådet (SE), Arts
Council England (UK) and DGArtes/Secretaria de Estado da
Cultura (PT)
Dinis Machado é um artista associado do Ballet
Contemporâneo do Norte (PT) e Weld (SE)
Iniciado em 2014 com uma
regularidade anual, A - F Promove o encontro entre artistas, investigadores e
públicos, e explora processos, práticas, pontos de vista e potencialidades
políticas e poéticas. O seu propósito é pensar a dança contemporânea como ferramenta
para a construção de conhecimento entendida como elemento fundamental para o
desenvolvimento da sociedade, ciência, cultura, economia e arte.
O festival procura assumir
riscos para a produção de novas práticas, dramaturgias e textos em relação com
a dança contemporânea, performance e coreografia, produzindo encontros numa
escala local, nacional e internacional.
O Festival foi considerado
de interesse cultural pelo governo da cidade de Buenos Aires e recebeu o apoio
do Ministério da cultura da Argentina, fundo MECENAZGO, IBERESCEN
2nd september | PARADIGMA | Arqueologias del Futuro Festival | Buenos Aires, Argentina
A ritual is a sequence of activities involving gestures,
words, and objects, performed in a sequestered place, and performed according
to set sequence.
[Merriam-Webster Dictionary]
In Paradigm, we work on a DIY folklore for bodies with
blurry identities, created through fctional artifacts, narratives, dances,
rituals and songs.
Paradigm is a dance of an exoticism from nowhere. A ritual
claim for diference and citizenship. A landscape created from a cadavre exquis
of paradoxical references coming from the places where we were born, the places
where we live, places we have never been, and most of all, from fctional
places. All of them glued together with daily practice. The body, as a mechanical
piece of a bigger organic body - the stage itself. This body engages in a
ceremony with consequences that are never direct or evident, but it is also a
fgure of labor coming from a time before the division between the architect and
the bricklayer. A working body producing abstract symbols with concrete
materials and a complex homemade engineering.
A body that through this practice enters a process of
abstraction, attempting to escape its own anthropomorphism.
To be a human, as to be the theatrical building, disengaged
of the pursuit of a (cultural) essence.
With original music by Hanna Kangassalo (SE/FI), Robert
Tenevall (SE), Erik Sjölin (SE)
additional voices by Lillemor Tenevall, Kai Kangassalo,
Gonçalo Ferreira, Britta Amft Set
light and costume construction Dinis Machado (SE/PT)
Outside eyes Pedro Machado (BR/UK), Gonçalo Ferreira
(PT), Jorge Gonçalves (DE/PT)
Produced by Corp. (PT) and Ballet Contemporâneo do
Norte (PT)
with the associate producer Clair Hicks (UK) and
administration by Interim Kultur (SE)
With the co-production of Weld (Stockholm/SE), Teatro
Municipal do Porto (Porto/PT), Dance4 (Nottingham / UK) and Gothenburg Dans
& Teater Festival (Gothenburg/SE)
Created in residency at Weld (Stockholm/SE), MARC
(Kivik/SE), Campo Alegre Teatro Municipal (Porto/PT), Alkantara (Lisboa/PT),
Gothenburg Dans & Teater Festival + Vitlycke Centre for Performing Art
(Gothenburg/SE), Devir/Capa (Faro/PT), Dance4 + Lace Market Gallery
(Nottingham/UK)
With the support of Konstnärsnämnden (SE),
Kulturrådet (SE), Arts Council England (UK) and DGArtes/Secretaria de Estado da
Cultura (PT)
Dinis Machado is an associated artist of Ballet
Contemporâneo do Norte (PT) and Weld (SE)
Started in 2014 with an
annual regularity, A - F Promotes the encounter between artists, researchers
and audiences, and explores processes, practices, points of view and political
and poetic potentialities. Its purpose is to think of contemporary dance as a
tool for building knowledge understood as a fundamental element for the
development of society, science, culture, economics and art. The festival seeks
to take risks for the production of new practices, dramaturgies and texts
relating to contemporary dance, performance and choreography, producing
encounters on a local, national and international scale. The Festival was
considered of cultural interest by the government of Buenos Aires and received
the support of the Ministry of Culture of Argentina, Fondo MECENAZGO, IBERESCEN